A wedding photographer should – always- ensure that they have some private allocated time with the couple on their wedding day. No matter what style of wedding photography the couple wants, they will always expect some pretty great shots of just the two of them. You might only schedule 30mins of their time, but it means you can really compose your shots and lighting with care and attention and have their full attention.
What tends to happen when you start walking off with the happy couple for a private session is that people follow. It really doesn’t work if other people are hanging around and distracting them. Even worse, is that guests assume that because you are taking pictures of the couple they also have a green light to join in. In this situation the bride and groom will undoubtedly be caught looking at their friends rather than you, the jokes will start flying and the session is ruined.
A good photographer needs good people skills and crowd control. Be firm and polite and explain to disrupting guests this is a private session. If they do not listen, repeat your request having put your camera down.
It’s a good plan to shoot the portrait session right after the ceremony and upon reaching the reception venue. Just ensure the bride and groom have agreed when to do this – there will never be a good time to do this otherwise, particularly at larger weddings where the bride and groom tend to split up and wonder.
Hopefully, you have some knowledge of the venue in advance in terms of photogenic locations, lighting and so forth. Equally, be prepared with your equipment, particularly your lens choice.
A choice of lenses exist which are often referred to as a ‘portrait’ lens. What defines a portrait lens is primarily the focal length. Anything above 85mm produces a pleasing perspective without distorting facial features. The preference by pros is generally between 135mm and 200mm – this also keeps the photographer at quite some shooting distance to help relax the subjects. If you want to shoot portraits at wider apertures than F2.8 then you need to use a prime lens instead and the Canon 135mm F2L is an excellent choice. If shooting Indoors, you might prefer the 85mm focal length for portraits due to working space considerations.
One thing to keep in mind is that if you’re looking to get the sharpest image from your lens, you need to stop it down 2 stops from its widest setting. So for example, a F2.8 lens is crisper at F5.6. When the time comes for the group shots later, not only will F8 give you top performance from a lens but it also gives you the depth of field needed to keep everyone in focus .
This article is copyright of Visualsnap.co.uk.Kent wedding photography Promoting high quality professional wedding coverage. Established and reputable Kent photographer
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